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標籤：War for the Planet of the Apes

Autodesk為使用其工具而獲獎的項目慶祝

Posted on 三月 1, 2018 (四月 27, 2018) by admin

所有五位奧斯卡最佳視覺效果提名者均使用該公司製作的軟件，其員工也受到了電視學院和科技獎的殊榮。 […]

Posted in vfxworldTagged Academy Awards, Academy of Motion Picture Arts and Sciences, Amy Bunszel, Autodesk, Blade Runner 2049, Films, Guardians of the Galaxy Vol. 2, Hans Rijpkema, import, Joe Mancewicz, Kong: Skull Island, Matt Derksen, Oscars, Rhythm & Hues, Sci-Tech, Shotgun, Software, Star Wars: The Last Jedi, Technology, Television Academy, Visual Effects, War for the Planet of the ApesLeave a comment

數字角色是否應該獲得奧斯卡獎

Posted on 二月 2, 2018 (五月 2, 2018) by admin

學院院長理查德埃德倫和比爾克羅伊權衡如何承認和獎勵越來越多的恆星CG角色表演。 […]

Posted in vfxworldTagged ‘Avatar’, 3D, 90th Oscars, Academy Awards, Academy of Motion Picture Arts & Sciences, AMPAS, Andy Serki, Annie Awards, Ant-Man, ASIFA-Hollywood, Awards, Beowulf, Bill Kroyer, Blade Runner 2049, Captain America: Civil War, Carrie Fisher, CG, cg animation, CG characters, CGI, Chapman College, David Fincher, Digital Characters, Feature Films, Features, Films, Final Fantasy: The Spirits Within, Furious 7, Grand Moff Tarkin, Guardians of the Galaxy Vol. 2, Hironobu Sakaguchi, import, Iron Man, James Cameron, Jeff Bridges, John Nelson, Kong: Skull Island, Kurt Russell, Lord of the Rings, Marvel, Michael Douglas, Oscars, Paul Walker, Peter Cushing, Peter Jackson, photorealism, photorealistic humans, Polar Express, Princess Leia, Richard Edlund, Robert Downey Jr., Robert Zemeckis, Rogue One: A Star Wars Story, Rupert Wyatt, Screen Actors Guild, Sean Young, Star Wars: The Last Jedi, The Curious Case of Benjamin Button, TRON: Legacy, Uncanny Valley, VES, VFX, Visual Effects, Visual Effects Society, War for the Planet of the ApesLeave a comment

《公牛歷險記》、《最後的絕地武士》和《勇敢者遊戲》入選奧斯卡

Posted on 二月 2, 2018 (五月 2, 2018) by admin

動物權利團體獎勵對動物有積極意義的故事情節，並使用CG圖像代替活的生物。 […]

Posted in vfxworldTagged Andy Serkis, Awards, Doug Jones, Ferdinand, Films, Guillermo del Toro, import, Jumanji: Welcome to the Jungle, Lisa Lange, Oscats, PETA, Star Wars: The Last Jedi, The Shape of Water, Visual Effects, War for the Planet of the ApesLeave a comment

第16屆年度VES獎報道

Posted on 二月 2, 2018 (五月 2, 2018) by admin

在今年盛大的視覺效果協會bash上觀看舞台和後台的獲獎者。 […]

Posted in animationworld, home, interviewTagged ‘Game of Thrones’, Animated commercials, cg animation, Coco, Eric Roth, Feature Films, import, Joe Letteri, Jon Favreau, Jon Landau, Kevin Geige, Movies, MPC, Patton Oswald, photoreal episode, photoreal feature, Pixar, Samsung ‘Ostrich’, Simulation, television animation, VES, VES Awards, VFX, Visual Effects, Visual Effects Society, War for the Planet of the Apes, Weta DigitalLeave a comment

第16屆年度VES獎報道

Posted on 二月 2, 2018 (五月 2, 2018) by admin

在今年盛大的視覺效果協會bash上觀看舞台和後台的獲獎者。 […]

Posted in animationworld, home, interviewTagged ‘Game of Thrones’, Animated commercials, cg animation, Coco, Eric Roth, Feature Films, import, Joe Letteri, Jon Favreau, Jon Landau, Kevin Geige, Movies, MPC, Patton Oswald, photoreal episode, photoreal feature, Pixar, Samsung ‘Ostrich’, Simulation, television animation, VES, VES Awards, VFX, Visual Effects, Visual Effects Society, War for the Planet of the Apes, Weta DigitalLeave a comment

NVIDIA慶祝推動奧斯卡提名作品的十年

Posted on 二月 2, 2018 (五月 3, 2018) by admin

在過去的10年中，所有五位獲得最佳視覺效果的候選人都使用該公司的Quadro GPU來創建他們的作品。 […]

Posted in home, news, vfxworldTagged Academy Awards, Autodesk, Awards, Blade Runner 2049, Daniel Barrett, Films, GPUs, Guardians of the Galaxy Vol. 2, Hans Rijpkema, import, Joe Mancewicz, Kong: Skull Island, Matt Derksen, nvidia, Oscars, Quadro, Rhythm & Hues, Star Wars: The Last Jedi, Visual Effects, War for the Planet of the ApesLeave a comment

NVIDIA慶祝推動奧斯卡提名作品的十年

Posted on 二月 2, 2018 (五月 3, 2018) by admin

在過去的10年中，所有五位獲得最佳視覺效果的候選人都使用該公司的Quadro GPU來創建他們的作品。 […]

Posted in home, news, vfxworldTagged Academy Awards, Autodesk, Awards, Blade Runner 2049, Daniel Barrett, Films, GPUs, Guardians of the Galaxy Vol. 2, Hans Rijpkema, import, Joe Mancewicz, Kong: Skull Island, Matt Derksen, nvidia, Oscars, Quadro, Rhythm & Hues, Star Wars: The Last Jedi, Visual Effects, War for the Planet of the ApesLeave a comment

圖像畫廊：Weta將情感與戲劇衝突注入《猩球崛起3》的CG制

Posted on 二月 2, 2018 (五月 3, 2018) by admin

作為基於1968年科幻小說經典“猿星球”的前傳三部曲的最後一部分的唯一視覺效果供應商，Weta Digital正處於創意和技術復興之中。 […]

Posted in homeTagged 20th Century Fox, 3D, Academy Awards, Andy Serkis, CG, cg animation, CG elements, CG environments, CG models, CGI, Digital Characters, digital doubles, double cylinder attributes, eccentricity, Feature Films, Feature VFX, Features, Films, Florian Fernandez, hair shader, import, interference, Manuka, motion caption, Motion-Capture, near/far field, Oscars, Performance Capture, photorealism, photorealistic digital characters, physically-based ray tracer, Planet of the Apes, ray tracing, renderer, rendering, scattering, shaders, sub-surface scattering, Terry Notary, Totara, VFX, Visual Effects, War for the Planet of the Apes, WETA, Weta DigitalLeave a comment

圖像畫廊：Weta將情感與戲劇衝突注入《猩球崛起3》的CG制

Posted on 二月 2, 2018 (五月 3, 2018) by admin

作為基於1968年科幻小說經典“猿星球”的前傳三部曲的最後一部分的唯一視覺效果供應商，Weta Digital正處於創意和技術復興之中。 […]

Posted in UncategorizedTagged 20th Century Fox, 3D, Academy Awards, Andy Serkis, CG, cg animation, CG elements, CG environments, CG models, CGI, Digital Characters, digital doubles, double cylinder attributes, eccentricity, Feature Films, Feature VFX, Features, Films, Florian Fernandez, hair shader, import, interference, Manuka, motion caption, Motion-Capture, near/far field, Oscars, Performance Capture, photorealism, photorealistic digital characters, physically-based ray tracer, Planet of the Apes, ray tracing, renderer, rendering, scattering, shaders, sub-surface scattering, Terry Notary, Totara, VFX, Visual Effects, War for the Planet of the Apes, WETA, Weta DigitalLeave a comment

圖像畫廊：Weta將情感與戲劇衝突注入《猩球崛起3》的CG制

Posted on 二月 2, 2018 (五月 3, 2018) by admin

作為基於1968年科幻小說經典“猿星球”的前傳三部曲的最後一部分的唯一視覺效果供應商，Weta Digital正處於創意和技術復興之中。 […]

Posted in homeTagged 20th Century Fox, 3D, Academy Awards, Andy Serkis, CG, cg animation, CG elements, CG environments, CG models, CGI, Digital Characters, digital doubles, double cylinder attributes, eccentricity, Feature Films, Feature VFX, Features, Films, Florian Fernandez, hair shader, import, interference, Manuka, motion caption, Motion-Capture, near/far field, Oscars, Performance Capture, photorealism, photorealistic digital characters, physically-based ray tracer, Planet of the Apes, ray tracing, renderer, rendering, scattering, shaders, sub-surface scattering, Terry Notary, Totara, VFX, Visual Effects, War for the Planet of the Apes, WETA, Weta DigitalLeave a comment

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