Animation World Network China – Global ACGN News

Industry Interview

• Independent Animation Studio’s Path to Success – An Interview with Kuku Studio Founder Alex Woo
• Five-Member Team Breaks New Ground in Domestic AAA Game Development; Anime-Styled Action Roguelite “Ved: Sanctuary” Debuts at TGS and Wins Industry Award
• Ubisoft Shuts Down Halifax Studio, “Assassin’s Creed Rebellion” Goes into Deep Freeze
• Being the Stone of Destiny: A Conversation with Czech Director Julie Černá (GoCritic! Review)
• In the age of AI, How is the change to film and television script-writing?
•  What Does the Future of “Critterz” Signal for Scaling Storytelling with AI?
• Ugo Bienvenu: “France Has the Capacity to Produce a Major Animated Adventure Film”
• La Poudrière: Training New Animation Talents for 25 Years
• Abstract unveils InstaMAT 2025: Unleashing the most powerful package for 3D Creators
• ‘Hypersensitive’-Interview with Martine Frossard

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• H1 2026 Chinese Animation Industry Summary: Differentiated Layout Across Platforms, Premium Annual Series Lead Streaming Rankings
• Wuthering Waves Version 3.5 Is Out Now on PC, Mobile, PS5, and Xbox
• It’s a Dwarf’s Life in the Mines: Dwarf Delve to Release on July 27th
• The Neon Forecast Is Looking Bright. Midnight Moments Launches July 30
• 14th CEE Animation Forum Unveils 33 Selected Projects: Diverse Creations Reshape Central & Eastern European Animation Ecosystem
• game Charts: The most successful new games of the first half of 2026 in Germany
• Bandai Namco Releases Future Saga Chapter 4 – The Final Chapter of DRAGON BALL XENOVERSE 2
• SIGGRAPH 2026 Puts AI to Work as a Creative Partner Across Research, Art, and Industry