Halo adds three to production team
Post house Halo has expanded its Production team with three additional Producers.
Jess Netley – Verrinder joins halo from Covent Garden based facility, Onsight where she focused on Feature Documentaries such as Arsene Wenger: Invincible and Eric Clapton: The Lady on the Balcony.
Head of production, Louisa Sutherland-Smith says, “We are delighted to welcome Jess to the production team at halo. She brings a wealth of experience in just about every type of project which fits perfectly with halo’s eclectic slate’.
Jess Netley – Verrinder comments, “I’m very pleased and excited to have joined Halo. They are well known for their high standard of work and diverse range of projects which to have the opportunity to be a part of is amazing. I have already received an incredibly warm welcome into the Halo family, and I am looking forward to everything that is yet to come.
In addition, as part of halo’s commitment to recruiting from within, the company has also promoted two in-house Post Coordinator’s, Finlay Macauley and Emily Dutton to Producer level. Both started their careers in post in halo’s Client Services dept.
Commercial Director, Will Garbutt says, ‘The best way to build any team is to nurture and train entry level staff, bringing them up through the ranks as much as possible. That is how you discover the stars of tomorrow and how strong working relationships are built. By mentoring them with senior department professionals willing to share the knowledge and giving them client facing, hands – on experience, we can help and support their career growth into this exciting and dynamic industry. I am happy to say that Emily & Finlay are shining examples and we already have two new Production Coordinator’s to take their place to start their journey into post project management.”
Halo recently completed full post production on ‘Dinosaurs: The final Day with David Attenborough’ and ‘House of Maxwell’ for the BBC and sound post production on the George Michael theatrical feature, ‘Freedom Uncut’.
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