Animafest Zagreb Details World Panorama Program 2019
World Panorama is a diverse non-competitive program that will present 28 films from 24 countries at this year’s edition of World Festival of Animated Film – Animafest Zagreb. It’s a collection of original, innovative and daring titles that will offer a broad insight into the recent global production of specifically narrated films.
The 29th Animafest Zagreb takes place June 3-8 in Croatia. Entries for the VR competition are still open! More information at www.animafest.hr/en.
The World Panorama selections are:
@DISEXTA, André Catoto Dias (Brazil / 2018)
AFLOAT, Filipe Abranches (Portugal / 2018)
AROUND THE STAIRWAY, Die Wimmelgruppe (Switzerland / 2018)
BLOEISTRAAT 11, Nienke Deutz (Netherlands, Belgium / 2018)
BOOM -> BUST (VICIOUS CYCLES #1), Wobbe F. Koning (United States / 2018)
COURT SKETCH ARTIST, Jochen Kuhn (Germany / 2018)
DEEP LOVE, Mykyta Lyskov (Ukraine / 2019)
EDGE, Steven Subotnick (United States / 2019)
FLOREANA, Lou Morton (Denmark / 2018)
LINZER LUST, Maya Yonesho (Germany / 2019)
MERCURIO, Michele Bernardi (Italy / 2018)
MOVEMENTS, Dahee Jeong (South Korea / 2019)
MR. MARE, Luca Tóth (Hungary, France / 2019)
MUD, Alicja Blaszczynska (Poland / 2018)
OLGA’S SELF INSERT FANFICTION, Ella Sanderson, Georgette Stefoulis (Australia / 2018)
RADIOVISION – MIHOVIL LOGAR SPEAKING, Miloš Tomić (Serbia / 2019)
RENEEPOPTOSIS, Renee Zhan (United States, Japan / 2018)
SCAPEGOAT, Cian Luo (Taiwan / 2018)
SONOLUMIN, Diana Reichenbach (United States / 2018)
SPERMACETI, Jacky De Groen (Belgium / 2018)
STILL ALIVE, Dennis Tupicoff (Australia / 2018)
THE BIG RIP, David Buob (Germany / 2018)
THE ENTIRE HISTORY OF JAPANESE ANIMATION, Peter Millard (United Kingdom / 2018)
THE HUNTER, Jari Vaara (Japan, Finland / 2018)
THE LEVERS, Boyoung Kim (South Korea, United States / 2018)
THE NIGHT OF THE PLASTIC BAGS, Gabriel Harel (France / 2018)
WINTER IN THE RAINFOREST, Anu-Laura Tuttelberg (Estonia, Mexico, Lithuania / 2019)
WUTONG EMERGING INDUSTRIAL CLUSTER, Bohong Deng (China / 2018)
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