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Animation Innovators at OIAF: Rebecca Sugar, Matthew Cherry & More Head to Ottawa
The Ottawa International Animation Festival (OIAF) anno[.....]
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AMAZON, TUBI AND TWITTER EXECS HEAD LINE UP FOR MI...
[VRN] “Now, THIS is VR e-Sports!” the Successful U...
Ftrack brings real-time workflows to SIGGRAPH 2019
47th Annie Awards Now Open for Submissions
活動報導
Snoopy Returns to the Sky
Epic Games Unveils the Future of Production with U...
Industry Interview
Five-Member Team Breaks New Ground in Domestic AAA Game Development; Anime-Styled Action Roguelite “Ved: Sanctuary” Debuts at TGS and Wins Industry Award
Ubisoft Shuts Down Halifax Studio, “Assassin’s Creed Rebellion” Goes into Deep Freeze
Being the Stone of Destiny: A Conversation with Czech Director Julie Černá (GoCritic! Review)
In the age of AI, How is the change to film and television script-writing?
What Does the Future of “Critterz” Signal for Scaling Storytelling with AI?
Ugo Bienvenu: “France Has the Capacity to Produce a Major Animated Adventure Film”
La Poudrière: Training New Animation Talents for 25 Years
‘Hypersensitive’-Interview with Martine Frossard
Creating “400 Boys” For “Love, Death + Robots”
Making Flow – Interview with director Gints Zilbalodis
Watch the Magazine
Animation Global Magazine (2025 English IAICC Special)
Animation Global Magazine (2025 English)
Animation Global Magazine (2023 English)
Animation Global Magazine (2021 English)
Animation Global Magazine (2019 English)
Animation World Magazine (June 2018)
Animation World Magazine (2017)
SIGGRAPH: What’s New in Unity 2019.2
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The prosperous world is coming again! Well-known enterprises at home and abroad gathered in 2019ChinaJoy!
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Digital Entertainment: Change of Game in 5G Age
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Vuulr Open to Register
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gamescom 2019 theme focuses on community
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Magic Leap Set to Premiere Experimental, Spatial Computing Experience at SIGGRAPH 2019
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Original animation work is on the rise, China’s animation industry continues to support “The Chinese School”
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TIFFCOM 2019
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